1

Snap the Whip - 1872

Image: Winslow Homer, CC0, via Wikimedia Commons

Winslow Homer was a self-taught artist from Boston, best known for his Civil War paintings, which he created at the request of Harper's Weekly magazine. But after the war, Homer moved to a totally different subject matter: childhood. The artist painted the life of American children as a world unto itself, where adults seemed to have no influence.

Homer's children, like the ones depicted in Snap the Whip , can be compared to similar literary characters of the time, like Louisa May Alcott's Little Women and Mark Twain's Tom Sawyer . They are potential America, the stock from which renewal will spring in the aftermath of the Civil War: young, strong, quick-witted, practical, and without pretense. The piece can now be viewed at The Met in New York City.

2

Whistler’s Mother - 1871

Image: James McNeill Whistler, CC0, via Wikimedia Commons

James Abbott McNeill Whistler (1834-1903) was a painter mainly active during the American Gilded Age and a leading proponent of the motto "art for art's sake." Whistler’s best-known piece is a painting entitled Arrangement in Grey and Black No. 1: The Artist’s Mother . While it is a portrait of his mother, the identity of the woman, according to the artist, should be of no interest to the viewer, only the formal layout of grays and blacks.

For Whistler, art was not about moral instruction or storytelling but, instead, about formal perfection. He believed that artists should not simply replicate what they see in nature but express their emotional response to it. Art should be filled with sentiment, not sentimentality. These ideas formed the basis of the Aesthetic Movement of the 1870s and 1880s and influenced several American artists.

3

Madame X - 1884

Image: John Singer Sargent, CC0, via Wikimedia Commons

It may seem totally innocent to us today, but in the late 19th century, this piece was a true scandal. Madame X , by John Singer Sargent (1856-1925), is a portrait of Virginie Gautreau, a young woman born in New Orleans who moved to Paris after her father’s death. There, she married a wealthy man twice her age and became the talk of the town, due to her independent character and her alleged infidelities.

Virginie posed for Sargent, the world's most sought-after portrait painter of his time, and the work turned out to be as rebellious, elegant, and striking as its model. Sargent always thought that this was his masterpiece, but the public hated it. Shortly before his death, he donated the painting to the Metropolitan Museum of Art in New York, saying, "I suppose it is the best thing I have done."

4

The Child’s Bath - 1893

Image: Mary Cassatt, Public domain, via Wikimedia Commons

Mary Cassatt (1845-1926) was not only one of the foremost American Impressionists but also an outstanding woman painter of the 19th century. She was raised and initially trained in Philadelphia before moving to Paris, where she befriended prolific Impressionists like Edgar Degas. However, Cassatt’s subject matter was very different from that of her French counterparts. She depicted a distinct world, drawn from her own strong family interests: sociable encounters over tea, fashionable women in theaters or drawing rooms, and mothers with their babies.

For example, The Child's Bath not only reflects Cassatt’s technical ability but also serves as a testament to her exploration of motherhood and female roles . Her approach succeeds in capturing everyday life, and the painting is remarkable for its composition and use of color. This piece, like many of her works, stands as a reminder of the value of small, deeply meaningful moments that make up culture and life in all its complexity.

5

American Gothic - 1930

Image: Grant Wood, Public domain, via Wikimedia Commons

Perhaps one of the most famous houses in America is located in Eldon, a tiny community in southern Iowa. Contrary to what one might think, no one of distinction, notoriety, or power has ever lived in this house. Its fame is owed entirely to artist Grant Wood (1891-1942), who used it in the background of his painting American Gothic .

Wood enlisted his sister Nan to pose as the woman and recruited a dentist from Cedar Rapids, B. H. McKeeby, as the man. The painting won a prize in Chicago in 1930 and was instantly catapulted to national fame. Since then, it has been reproduced and satirized by popular culture to exhaustion and is now one of the most recognizable American paintings. Wood's American Gothic honors those who settled the land and has become an iconic representation of American identity and resilience.

6

Nighthawks - 1942

Image: Edward Hopper, Public domain, via Wikimedia Commons

Edward Hopper (1882-1967) studied at the New York Institute of Art and Design and worked for many years as a magazine illustrator. Although he didn't particularly enjoy this job, it helped sharpen his compositional skills. Thanks to these influences, Hopper's work has come to typify the American Realism movement. His paintings convey the sense that the events depicted are taking place in front of the viewer in the here and now, as seen in his famous diner scene, Nighthawks .

In this stark, impassive, realist painting, Hopper evokes a powerful sense of urban alienation, highlighting the isolation. The bright fluorescent light in the all-night diner contrasts strongly with the surrounding gloom outside and immediately transports us to a scene from a film noir movie. Exhibited at the Art Institute of Chicago, Nighthawks is considered one of Hopper's masterpieces and is worth visiting at least once in a lifetime.

7

Untitled (Violet, Black, Orange, Yellow on White and Red) - 1949

Image: chummels

Mark Rothko (1903-1970), along with Jackson Pollock, was one of the greatest representatives of American abstraction . He is best known for his color field paintings. Through his work, he sought to achieve an ambitious utopia: to express the most basic universal emotions.

When Rothko painted Untitled (Violet, Black, Orange, Yellow on White, and Red) he was arriving at a point of maturity in what was a highly nuanced and distinct visual style. He had abandoned any remaining references to recognizable imagery, and the result is a painting with a great expressive force. Rothko used to say that he preferred to paint large pictures because he wanted to be very intimate and human. In this work, he achieves this immersion entirely through his sensitive use of color.

8

Autumn Rhythm (Number 30) - 1950

Image: Simi Iluyomade

Jackson Pollock (1912-1956) was a leading figure in Abstract Expressionism and is best known for his "drip technique." Pollock's drip method entailed placing a canvas on the floor and then dripping, pouring, and at times throwing paint over its surface. Although his technique appeared to favor chance, the artist stressed that everything in his paintings was fully intentional.

One of his most emblematic works is Autumn Rhythm (Number 30) , which is currently on display at the Metropolitan Museum of Art in New York. If you ever have the chance to see this piece in person, know that Pollock believed contemplation of his paintings allowed the viewer to access personal and unconscious responses to the modern world. As Pollock advised, the viewer should look passively and "try to receive what the painting has to offer."

9

Twenty Marilyns - 1962

Image: pvdberg

Andy Warhol (1928-1987) started making paintings of Marilyn Monroe shortly after her death. He used a black and white publicity photograph taken by Gene Korman for the 1953 movie Niagara to create a stencil for silk-screen printing, a technique he had adopted for transferring photographic images to canvas. Over the course of four months, Warhol created more than twenty works based on the Korman photograph.

What Warhol called the "assembly line effect" of the repeated image aimed to criticize the supposed uniqueness of the work of art in a world of mass reproduction and mass media. Yet, the repetitive Marilyns are full of small variations, as the paint is applied by hand. Twenty Marilyns is such an iconic work of American art history that, in a 2004 article published in The Guardian , it was named the third most influential piece of modern art in a survey of 500 artists, critics, and other members of the art world.

10

Whaam! - 1963

Image: Eric Koch, CC0, via Wikimedia Commons

Apart from Andy Warhol, perhaps the greatest exponent of American Pop Art is Roy Lichtenstein (1923-1997). Lichtenstein was mainly drawn to action and true romance comic strips. Through his depictions of fighter pilots and tearful drowning damsels, he drew attention to the constructed nature of gender roles. Lichtenstein's exaggeration of these gender stereotypes in comic book characters led some critics to recognize his paintings as true works of art.

Whaam! , based on a comic book panel published by DC Comics in 1962, is Lichtenstein's witty and irreverent reaction to the contemporary popularity of Abstract Expressionism. With this piece, the artist attempted to deflate that movement's pomposity by presenting pictorial subject matter based on what was regarded as crass commercial art. Since Whaam! , Lichtenstein was viewed by the public eye as the ultimate American master of Pop Art.

1

European origins

Image: Martin Zenker

Lawns — and by lawns we mean closely mown grassy spaces — began appearing in 17th- and 18th-century Britain and France as signs of wealth. This was because only aristocrats or large estates could afford to keep grass short and manageable.

Before mechanized tools, scythes, shears, or grazing animals were used to maintain lawns, so turf was largely limited to those who could own the necessary manpower or animals. Early American colonists imported these aesthetics and tried to replicate them in their architecture and homes, albeit less formally.

2

Public parks set the bar

Image: Carl Newton

Early urban park designers, strongly influenced by European landscaping ideas, laid out wide expanses of turf in city parks, showing the public a "civilized" green aesthetic. That made clipped lawns part of the civic-space ideal, and not just a private luxury.

These parks helped cement the association between grass lawns, order, leisure, and modern urban life in American culture.

3

Mechanical breakthroughs

Image: Daniel Watson

In 1830, English engineer Edwin Beard Budding patented the first mechanical lawn mower, inspired by a wool-mill reel used to trim cloth.

Budding’s design used a cylinder of blades powered by a rear roller, making it easier to cut grass evenly, and largely replaced laborious scything or grazing, cutting down the cost of maintaining such status symbols in the process.

4

Et pluribus lawnus

Image: Gang Hao

Once affordable lawn mowers—including lighter push-mower variants in America—became popular, maintaining a lawn became feasible for aspiring middle-class homeowners.

This sparked a major transformation in both private and public architecture, as many well-to-do homes that before could not afford it began attempting to replicate the European lawn style in some fashion or another.

5

Suburban dreams

Image: Venrick Azcueta

For decades, lawns remained a steady feature of American architecture and green-space design; however, it wasn’t until after WWII that the true lawn boom began. Returning veterans and government-backed mortgages fueled rapidly expanding suburbs.

Developer William Jaird Levitt and his company built thousands of nearly identical homes, each with its own front and back lawn. By the 1950s and ’60s, lawns had become central to the "American Dream," symbolizing stability, middle-class respectability, and neighborhood uniformity.

6

A bit of chemical help

Image: Victor Furtuna

After the war, synthetic fertilizers (derived partly from wartime chemical technologies) became widely available to consumers, enabling lush, uniform lawns even in soil and climate conditions unsuited to grass.

This lowered the barrier to achieving a "perfect" lawn, further popularizing lawns as part of the American identity and raising the expectations of what the perfect lawn should look like.

7

Begone, pesky weeds!

Image: Dmitry Burdakov

In addition to fertilizers, in 1944, researchers discovered 2,4‑Dichlorophenoxyacetic acid (2,4-D), the first widely effective selective herbicide — killing broadleaf weeds while leaving grasses largely unharmed.

Deployed commercially soon after WWII, 2,4-D made maintaining uniform, weed-free lawns much easier and was quickly adopted in home lawn products.

8

Thou shalt keep thy lawn green

Image: Tiago Rodrigues

As suburbs proliferated, lawn maintenance became a shared social norm — homeowners' associations and neighborhood covenants often started to expect regular mowing and upkeep.

Keeping a well-groomed lawn became not just an aesthetic choice but also a mark of civic responsibility and conformity to norms.

9

Environmental worries

Image: Rémi Müller

By the mid- to late 20th century, the ecological cost of the lawn aesthetic became visible: heavy water use for irrigation, chemical runoff from fertilizers and herbicides, and reduced biodiversity as a consequence.

These drawbacks spurred both scientific and public debate about the sustainability of the traditional lawn model — especially in water-scarce regions, where it was both impractical and resource-intensive.

10

The birth of mixed lawns

Image: Ruben Sukatendel

Growing environmental awareness, droughts, and changing tastes have prompted many homeowners and municipalities to adopt drought-tolerant landscaping, native plants, or mixed-species yards instead of the traditional uniform turf.

As a result, today the "ideal lawn" is evolving as we speak: classic turfgrass still remains common, but alternative yard styles now offer more varied ecological, economic, and aesthetic options.

1

McKenzie River Scenic Byway, Oregon

Image: Atanas Malamov

Oregon is famous for its stunning landscapes, and autumn months are no exception. The McKenzie River Scenic Byway stretches from the vineyards of the Willamette Valley to the forests of the Cascade Mountains .

The best time of the year to visit if you want to enjoy the vibrant colors is mid-to-late October.

2

Charlottesville, Virginia

Image: Mitchell Kmetz

The endless forests and rolling hills of Virginia, especially in the foothills of the Blue Ridge Mountains, create breathtaking landscapes painted in red, orange, yellow, and green during October and November.

3

French Lick West Baden, Indiana

Image: Adam Bouse

Nestled in the hills of Hoosier National Forest, French Lick West Baden is a resort town that showcases some amazing views when it comes to fall foliage . The best time to visit is from mid-October to early November.

4

Mississippi River Valley, Minnesota

Image: Josh Hild

The Mississippi River Valley in southern Minnesota is home to vibrant forests, steep hillsides, and picturesque river towns , waiting to be explored by those eager to make the trip.

The best time to see the foliage change is from late September to mid-October.

5

Breckenridge, Colorado

Image: Thomas Morse

Breckenridge, Colorado, bursts into vivid colors every late September, with the changing leaves of the aspen trees creating a gold, red, and orange rainbow in the heart of the Rocky Mountains.

6

Northwoods, Wisconsin

Image: Dave Hoefler

Thousands of lakes and vast forests that stretch across five counties can be found in the Northwoods of Wisconsin. From mid-September to early October, visitors are treated to some of the best foliage in the region, with vibrant shades of orange, red, yellow, and purple.

7

Highlands, North Carolina

Image: Wes Hicks

Imagine a lush rainforest with waterfalls, rivers, and lakes to explore, combined with the typical colors of the leaf change season. Such a place exists in North Carolina. The mountain town of Highlands, perched at over 4,100 feet on the Highlands Plateau in Nantahala National Forest, offers breathtaking fall foliage, with the best viewing time in mid-October.

8

Whidbey Island, Washington

Image: Toan Chu

Washington’s ultimate road trip, the Cascade Loop, winds along the Puget Sound via the Whidbey Island Scenic Byway . Peak fall colors along this drive commonly occur between late September and mid-October showcasing brilliant shades of gold, orange, and red.

9

Tunnel of Trees, Michigan

Image: AJ Yorio

A place known as the Tunnel of Trees will hardly disappoint visitors who come during the foliage change season. This 20-mile scenic route follows the historic Michigan 119 highway between Harbor Springs and Cross Village . The canopy of gold, orange, yellow, and purple leaves is typically on display from late September to mid-October.

10

North Lake Tahoe, California & Nevada

Image: Ben Carless

The stunning Lake Tahoe is framed by the peaks of the Sierra Nevada range on its north shore. Its hundreds of hiking trails wind through diverse tree species that display vivid red, orange, and yellow foliage from mid-September to late October.

11

The Ozarks, Arkansas

Image: Derek Livingston

The Ozark Mountains are most famous for their neighboring lake of the same name, but the amazing autumn colors are a spectacle that deserves all the attention during October. The palette of bright golds, reds, and oranges is especially stunning in the Buffalo National River area near the small town of Ponca.

12

Anchorage to Kenai drive, Alaska

Image: Derek Livingston

Alaska is nothing short of breathtaking, and fall is no exception. Its vast landscapes come alive with vibrant shades of red, purple, yellow, and orange from late August through September.

One of the best ways to experience the season is on the 160-mile drive along the Seward and Sterling highways from Anchorage to Kenai, following two National Scenic Byways.