1

Mourning Dove

Image: Anish Lakkapragada

The melancholic name of the mourning dove comes from its sad call , which the casual listener might mistake for an owl. Mourning Doves inhabit a wide range of open habitats, including suburbs and urban parks.

Their call is generally referred to as the "perch coo," a song sung by an unmated male from a perch. These birds have other well-known nicknames, such as "turtle doves" and "rain doves."

2

Northern Mockingbird

Image: Tyler Jamieson Moulton

More than just mockers, mockingbirds are expert singers, continuously adding new imitations of other birds' songs to their repertoires and sometimes mimicking unnatural sounds, such as car alarms. Northern mockingbirds may learn up to 200 different sounds.

These medium-sized, long-tailed gray songbirds prefer open habitats with a scattering of shrubs and small trees. They eat a wide variety of fruits, invertebrates, and even small vertebrates, such as lizards.

3

White-breasted Nuthatch

Image: Patrice Bouchard

You can recognize this bird by its white face and underside, bluish back and wings, dark crown, nasal "yank-yank" call, and its habit of creeping down tree trunks headfirst.

The name "nuthatch" is derived from "nut hacker," reflecting the bird's method of opening up nuts by jamming them into a crevice and then hammering at them.

4

Downy Woodpecker

Image: Joshua J. Cotten

The smallest woodpecker in North America, the Downy Woodpecker is a stubby-billed, black-and-white bird that inhabits deciduous woods and tree-filled urban and suburban parklands. It forages on trees, shrubs, and large weeds for insects and other arthropods.

The "downy" in this bird's common name refers to the soft, white feathers of its long, white back stripe . The "woodpecker" part refers to the fact that this bird pecks bark, looking for termites hidden underneath it.

5

House Finch

Image: Patrice Bouchard

Originally found only in the West, the House Finch was introduced to the eastern U.S. in 1939, when a few individuals were released from a pet store. The word "finch" comes from the German idiom fink , which refers to a lively or cheerful person —a description that certainly fits this active and gregarious songbird. The term "house" refers to the bird’s tendency to hang around human dwellings.

6

Song Sparrow

Image: Patrick Fobian

Song Sparrows, as their name suggests, sing a cheerful and recognizable song. Although these birds can be found in a wide range of habitats, their favorite spots are often close to streams and other sources of fresh water.

The English word "sparrow" derives from the Anglo-Saxon word spearwa . This term means "flutterer," an apt description for this active songbird.

7

Ruby-throated Hummingbird

Image: Joshua J. Cotten

The only hummingbird that regularly breeds in the eastern U.S. is the Ruby-throated Hummingbird. The male's metallic-looking red throat, or "gorget," explains the first part of the name. And the hummingbird part comes from the humming sound their wings make as they fly.

8

Blue Jay

Image: David Bridle

The "bullies" of the birdfeeder, Blue Jays' name comes from the bird's noisy, garrulous nature. This term has also been applied to other birds of the same family, which are generally gregarious as well.

Before approaching a feeder, Blue Jays often give harsh calls that sound like those of hawks, perhaps to scare off other birds that might compete for access to the bird seed.

9

Tufted Titmouse

Image: Paul Crook

These curiously named birds form longer-lasting family units than many other songbirds, with their younglings sometimes even hanging around for a second year to help raise younger siblings. The "titmouse" name has nothing to do with rodents, but instead comes from an Old English phrase meaning "small bird."

10

Spotted Towhee

Image: Anish Lakkapragada

Spotted Towhees are members of the sparrow family. These birds have dark heads and backs, white spots on their wings, rusty sides, and striking red eyes. Their song is a simple trill.

The name "towhee" is a simulation of the bird's call and it was coined in 1731 by the naturalist and bird artist, Mark Catesby.

1

We Didn’t Start the Fire

Image: Dane Deaner

Although Billy Joel is one of America’s favorite songwriters, he is often very vocal about pointing out the flaws he finds in his early hits. He even found fault with the timeless " Piano Man, " which earned him his nickname, due to a melody he finds repetitive and lyrics he compares to limericks.

He assures that he doesn’t hold grudges against his own songs, but he did point out that he thought the melody of "We Didn’t Start the Fire" was "terrible" and compared it to a dentist’s drill . He says the only redeeming quality of that song is the lyrics—those famous rapid-fire lists of historical events from the ‘40s to the ‘80s.

2

Shiny Happy People

Image: Nathan Dumlao

R.E.M. created "Shiny Happy People" with a satirically overly positive tone . It was a hit back in the ‘90s upon its release, but it always remained a bit of an oddball in the band’s otherwise more introspective and serious records.

The cheerful tune has been quoted endlessly in movies and TV shows. Even the sitcom Friends considered making it its theme song! But singer Michael Stipe expressed little love for what he called "a bubblegum pop song." Stipe went as far as to say that he "hates" the song and sees it as a fluke rather than a reflection of the band’s work. Although other members are less critical, the consensus is that "Shiny Happy People" is not R.E.M.’s proudest achievement.

3

Smells Like Teen Spirit

Image: Firmbee.com

Nirvana’s breakthrough hit, "Smells Like Teen Spirit," is often credited with launching the grunge movement and bringing alternative rock into the mainstream. The song's catchy riff and cryptic lyrics became an anthem of frustration and angst in the youth of the ‘90s. But Kurt Cobain, Nirvana's frontman, quickly grew to resent the famous song.

In a 1993 interview, staying true to his grunge persona, Cobain declared: "I can barely, especially on a bad night, get through ‘Teen Spirit.’ I literally want to throw my guitar down and walk away." He said he felt the song was too "mainstream" and polished, and nothing like the gritty authenticity he had envisioned for Nirvana—something that shone through in the band’s less popular work.

4

What’s Love Got to Do with It

Image: Pixabay

"What’s Love Got to Do with It" was first offered to Donna Summer, but it was Tina Turner who made history with it in the ‘80s. Initially, though, she thought it wasn’t the right track for her. She once confessed: "I didn’t like it at first. It was a pop song. I’m a rock ’n’ roll singer. "

However, her manager convinced her to record it. Her reluctance was such that she only did a few takes of it, convinced it would be a filler track in her album. We now know how wrong she was. The hit ended up redefining her career, so successful that it inspired the title of her 1993 biographical film, starring Angela Bassett as her.

5

(You Gotta) Fight for Your Right (to Party!)

Image: Colourblind Kevin

You would think that the satirical tone of this song would be obvious. It’s not hard to tell that the flatly yelled-out lyrics about hard-partying youth were poking fun at the frat culture of the time. But the joke went over many people’s heads, and it became an anthem of sorts for the culture it meant to make fun of.

This irritated the Beastie Boys, particularly because the song became their breakout hit. Band member Adam Yauch explained that the whole song was "a joke that got out of hand." They felt the song misrepresented their style, which is why they avoided playing it live in later years.

6

Strangers in the Night

Image: Ethan Rougon

Frank Sinatra did not shy away from expressing his distaste for one of his biggest hits. He disliked "Strangers in the Night" from the start, explaining to the writer that he didn’t like the lyrics and requesting that they be changed. But the process was rushed, and he had to record the version as it was. It became an instant award-winning, chart-topping hit.

Still, the singer despised it. He reportedly muttered disparaging comments about it during live performances. People speculated that his famous addition of the scat "doo-be-doo-be-doo" was a spontaneous attempt to add some grace to a song he was so tired of.

7

Dream On

Image: Rombo

"Dream On" was a major hit for Aerosmith and helped the band’s career skyrocket in the ‘70s. It was written by lead singer Steven Tyler long before Aerosmith had formed or signed any record deal: He was 18 years old when he finished writing it. But years later, after the band recorded it, guitarist Joe Perry, in his words, "wasn’t crazy about it" for a long time.

He mentioned in interviews that the song was too soft and slow compared to the rock music he wanted to be playing. He admitted that he would have preferred that the band triumph with a more hard-core rock song, but wasn’t too sad about it, because, as he said, "a hit is a hit."

8

Under the Bridge

Image: Roberto Nickson

"Under the Bridge" is a soft, personal song that stands out in the repertoire of Red Hot Chili Peppers. According to the legend, the album’s producer discovered lead singer Anthony Kiedis’ poem about walking around L.A. when he was feeling down. The producer insisted that the lyrics were worthy of a song, and soon the whole band helped finish arranging it.

But Kiedis wasn’t so excited about sharing such an introspective song. In his memoir book, he shared that sharing such an intimate, contemplative song made him feel vulnerable, and felt it was too personal to perform on stage. This caused the band some trouble over the years, as fans always had something to say when the band skipped the song during performances.

9

Where Did Our Love Go

Image: Angelina Yan

Before "Where Did Our Love Go" was released, The Supremes were struggling to break into the mainstream. Their label had started referring to them as the "no-hit Supremes." To make matters worse, the trio didn’t like this particular low-energy song and thought nothing would come of it. But the relatable lyrics, amped by Diana Ross's lead vocals, transformed the song into a No. 1 hit on the Billboard Hot 100.

Before this, the group was used to performing upbeat, high-energy songs, like "Buttered Popcorn" or "I Want a Guy." In comparison, their first hit had a subdued tempo and a different identity. But, as producers had expected, the song worked. The Supremes went on to become the best-charting female group in history!

10

Sweet Child O’ Mine

Image: Jay Wennington

"Sweet Child O’ Mine" was written by Guns N’ Roses' lead vocalist Axl Rose about his then-girlfriend Erin Everly. The song was originally created from a simple guitar riff by Slash, which he had come up with during a jam session. It went on to become a No. 1 hit on the Billboard Hot 100.

But guitarist Slash was never a huge fan of the song. He admitted that his famous riff was okay, but that the whole song felt like it belonged to another band’s style, not theirs. Of course, the general audience loved it and it became a huge hit compared to their hard rock songs. Over time, though, Slash grew to love it because of the immense impact it had on Guns N’ Roses’ career.

1

Blues

Image: Ahmed Rizkhaan

Originating in the Deep South during the late 19th century, blues evolved from African American work songs, spirituals, and field hollers. More often than not, it channeled pain and the harsh realities of life in a segregated America. Formally, its 12-bar blues structure and expressive guitar playing influenced countless other genres, from rock and roll to jazz.

2

Jazz

Image: Carol Highsmith's America

Born in New Orleans in the early 20th century, jazz blended African rhythms, blues, and brass band traditions. It was a revolutionary genre defined by improvisation and syncopation. Great figures like Louis Armstrong and Duke Ellington helped jazz spread worldwide, becoming a symbol of American creativity.

3

Rock and Roll

Image: Ana Grave

Emerging in the 1950s, rock and roll combined elements of blues, gospel, and rhythm and blues to create a high-energy, powerful sound . It soon became the voice of a new, rebellious generation. Pioneers like Elvis Presley, Chuck Berry, and Little Richard became universally beloved legends, forever altering the course of popular music.

4

Country

Image: Ben White

Originating in the southern United States, country music evolved from folk ballads and fiddle tunes brought by European immigrants. Initially, the genre focused on stories about blue-collar American life but later expanded to include love ballads and dance tunes. Today, it remains one of the most popular genres in the U.S.

5

Bluegrass

Image: Priscilla Du Preez

A fast-paced, acoustic offshoot of country, bluegrass emerged in the 1940s thanks to Bill Monroe and his Blue Grass Boys. Drawing from Irish and Scottish folk traditions, it prominently features stringed instruments like the banjo, mandolin, and fiddle. A true heartland gem, bluegrass continues to thrive on festival circuits worldwide.

6

Rhythm and Blues

Image: Matthijs Smit

Rhythm and Blues, or R&B, evolved from blues and jazz in the 1940s, featuring soulful vocals and a strong, "insistent" backbeat. Though its boundaries have been historically difficult to define, it laid the foundation for rock, soul, and funk while remaining a powerhouse in American music for generations.

7

Gospel

Image: Iyinoluwa Onaeko

Rooted in African American church traditions, gospel music emerged in the early 20th century, blending spirituals with blues and jazz influences. Artists like Mahalia Jackson and The Staple Singers were among the first to bring gospel beyond church walls, paving the way for future soul and rock musicians.

8

Soul

Image: Kobe Subramaniam

A direct descendant of gospel and R&B, soul music took center stage in the 1960s with its mix of emotional vocals and deep grooves. Legends like Aretha Franklin and James Brown defined the genre, influencing everything from funk to modern pop.

9

Funk

Image: Krisztián Reischl

Emerging in the 1960s, funk placed a strong emphasis on groove and rhythm, featuring heavy basslines and syncopated beats made for dancing. Pioneers like James Brown, Parliament-Funkadelic, and Sly & The Family Stone helped popularize the genre, whose infectious rhythms later influenced disco, hip-hop, and even rock.

10

Disco

Image: Honey Fangs

Rising in the 1970s, disco blended soul, funk, and Latin influences into a beat-driven, club-friendly sound. More than just a music genre, it became a cultural movement centered on dance, freedom, and glamour. At its peak, artists like Donna Summer and the Bee Gees dominated the airwaves.