History History 2 min read

Homegrown sounds

How America invented 10 of the world’s biggest music genres

Image: Daniel Angele

If the U.S. has exported anything in abundance, it’s music. From Delta blues to disco, America has shaped the global soundscape with genres that reflect its history, struggles, and triumphs. Join us as we explore 10 of the most influential music styles born on American soil.

1
Blues

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Originating in the Deep South during the late 19th century, blues evolved from African American work songs, spirituals, and field hollers. More often than not, it channeled pain and the harsh realities of life in a segregated America. Formally, its 12-bar blues structure and expressive guitar playing influenced countless other genres, from rock and roll to jazz.

2
Jazz

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Born in New Orleans in the early 20th century, jazz blended African rhythms, blues, and brass band traditions. It was a revolutionary genre defined by improvisation and syncopation. Great figures like Louis Armstrong and Duke Ellington helped jazz spread worldwide, becoming a symbol of American creativity.

3
Rock and Roll

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Emerging in the 1950s, rock and roll combined elements of blues, gospel, and rhythm and blues to create a high-energy, powerful sound . It soon became the voice of a new, rebellious generation. Pioneers like Elvis Presley, Chuck Berry, and Little Richard became universally beloved legends, forever altering the course of popular music.

4
Country

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Originating in the southern United States, country music evolved from folk ballads and fiddle tunes brought by European immigrants. Initially, the genre focused on stories about blue-collar American life but later expanded to include love ballads and dance tunes. Today, it remains one of the most popular genres in the U.S.

5
Bluegrass

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A fast-paced, acoustic offshoot of country, bluegrass emerged in the 1940s thanks to Bill Monroe and his Blue Grass Boys. Drawing from Irish and Scottish folk traditions, it prominently features stringed instruments like the banjo, mandolin, and fiddle. A true heartland gem, bluegrass continues to thrive on festival circuits worldwide.

6
Rhythm and Blues

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Rhythm and Blues, or R&B, evolved from blues and jazz in the 1940s, featuring soulful vocals and a strong, "insistent" backbeat. Though its boundaries have been historically difficult to define, it laid the foundation for rock, soul, and funk while remaining a powerhouse in American music for generations.

7
Gospel

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Rooted in African American church traditions, gospel music emerged in the early 20th century, blending spirituals with blues and jazz influences. Artists like Mahalia Jackson and The Staple Singers were among the first to bring gospel beyond church walls, paving the way for future soul and rock musicians.

8
Soul

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A direct descendant of gospel and R&B, soul music took center stage in the 1960s with its mix of emotional vocals and deep grooves. Legends like Aretha Franklin and James Brown defined the genre, influencing everything from funk to modern pop.

9
Funk

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Emerging in the 1960s, funk placed a strong emphasis on groove and rhythm, featuring heavy basslines and syncopated beats made for dancing. Pioneers like James Brown, Parliament-Funkadelic, and Sly & The Family Stone helped popularize the genre, whose infectious rhythms later influenced disco, hip-hop, and even rock.

10
Disco

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Rising in the 1970s, disco blended soul, funk, and Latin influences into a beat-driven, club-friendly sound. More than just a music genre, it became a cultural movement centered on dance, freedom, and glamour. At its peak, artists like Donna Summer and the Bee Gees dominated the airwaves.

History History 3 min read

Alternative history

The strange tale of Deseret—and other U.S. states that almost were

Image: Chris Lawton

Ever looked at a U.S. map and thought it could use a few adjustments? You wouldn’t be the first. Over the past 250 years, dozens of proposed states nearly joined the Union —born from bold ideas, local rebellions, or just geographic quirks. While none made it through Congress, they left fascinating marks on American history. From the mysterious lost state of Deseret to the proposed Native American haven of Sequoyah, here are 10 would-be states that nearly carved out a place in the stars and stripes.

1
Franklin

Image: Brett Wharton

Also known as the Free Republic of Franklin or the State of Frankland, this short-lived territory in eastern Tennessee declared independence from North Carolina in 1784. Its founders even petitioned Congress and appealed to Benjamin Franklin for support—hence the name—but it never gained official recognition.

By 1788, the movement had collapsed, and the area was reabsorbed into North Carolina before eventually becoming part of Tennessee in 1796. Today, the "State of Franklin" lives on mostly in U.S. law school exams as a fictional stand-in for a generic state —often where the imaginary property Blackacre is located.

2
Jefferson

Image: Shelby White

This proposed state has its origins in the 19th-century California Gold Rush, when settlers in the remote, resource-rich region between northern California and southern Oregon pushed for self-governance.

Though their efforts were largely ignored, the movement resurfaced over time. In 1941, frustrated locals staged a symbolic one-day secession. Armed men stopped traffic near Yreka, handing out a Proclamation of Independence declaring the State of Jefferson in "patriotic rebellion" and vowing to "secede every Thursday until further notice."

3
Deseret

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Proposed by Mormon settlers in 1849, the State of Deseret would’ve spanned a massive portion of the West. The name Deseret is derived from the word for "honeybee" in the Book of Mormon, and the vision was of a theocratic state encompassing parts of present-day Utah, Nevada, Arizona, and beyond.

Congress denied the proposal due to its size and religious nature, but a stone donated by Deseret’s supporters in 1853 was still placed in the Washington Monument.

4
Sequoyah

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Proposed in 1905, this would’ve been a Native American–majority state in what is now eastern Oklahoma. Despite extensive lobbying by representatives of the Five Civilized Tribes, Congress refused, preferring a single Oklahoma Territory.

Despite its failure, the proposed state’s constitution left a lasting legacy —much of its content was later adopted into the Oklahoma Constitution.

5
Absaroka

Image: Michael Bourgault

Named after the Crow word for "children of the large-beaked bird," the State of Absaroka was proposed in 1939. Comprising parts of Wyoming, Montana, and South Dakota, the idea emerged mainly as a protest against New Deal policies, which were deeply resented by the rural population.

Leaders of the movement even issued license plates, but the effort never gained serious traction and remained a largely symbolic gesture.

6
Westsylvania

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Proposed during the Revolutionary War, Westsylvania would have been a new state formed from the western parts of Virginia and Pennsylvania . Backwoods settlers, feeling neglected by distant colonial governments, sought self-governance.

However, Congress rejected the plan to avoid stirring further conflict during wartime.

7
Superior

Image: Mikaela Charette

With such a strong regional identity, it was perhaps inevitable that Michigan’s Upper Peninsula would eventually seek statehood. Efforts began as early as the 1850s and resurfaced repeatedly due to the region’s political and economic isolation.

Another proposed name for the state was Ontonagon. Despite these repeated attempts, the Upper Peninsula remained part of Michigan.

8
Lincoln

Image: K. Mitch Hodge

Named for Abraham Lincoln, this proposed state would have split the Texas Panhandle from the rest of the state. Throughout the 1860s and again in the 1880s, residents of the Panhandle and surrounding areas sought separation due to the region’s distance from Austin and cultural differences.

While none of the proposals gained enough federal support, residents of the area still feel distinct today and take pride in their unique identity.

9
Texlahoma

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Another failed attempt at carving out part of one of the largest states in the U.S., the State of Texlahoma would have—as its name suggests—combined portions of Texas and Oklahoma into a single state.

The push for autonomy was especially strong during the Dust Bowl, when a shared economy and perceived neglect by local governments united residents of both regions.

10
Columbia (D.C. Statehood)

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Washington, D.C., has long been considered for statehood under the name of Columbia . Multiple bills and referenda have tried to turn the federal district into the 51st state, as residents pay federal taxes but lack voting representation in Congress.

Despite strong support among D.C. residents, the idea has yet to gain serious traction at the national level.

Culture Culture 5 min read

The ultimate playlist

Two better than one: The 12 greatest music duets of all time

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Why record a song alone when you can amplify your voice alongside another great artist? That’s surely what Diana Ross and Lionel Richie thought when they released "Endless Love" in 1981 . Music history is filled with memorable duets that have captured the hearts of listeners around the world. When talented artists come together, magic happens—and the result is often a timeless masterpiece. Here are 12 of the best duets and musical collaborations that have left a lasting mark on American culture.

1
Diana Ross & Lionel Richie: "Endless Love"

Image: Ethan Smith

Did you know that this pop music classic was actually composed for a movie? Diana Ross and Lionel Richie recorded "Endless Love" for the Motown label, and it was used as the theme song for the 1981 film of the same name, starring Brooke Shields and Martin Hewitt.

Produced by Richie, the song was released as a single from the film’s soundtrack. Although the film was a flop, the song became the top hit single in the United States that year. It reached number one on the Billboard Hot 100 chart and remained there for nine consecutive weeks.

2
Sonny & Cher: "I Got You Babe"

Image: Joop van Bilsen / Anefo, CC0, via Wikimedia Commons

"I Got You Babe" is arguably the biggest hit by Sonny & Cher, one of the most iconic musical duos in history . Sonny Bono wrote it late one night in their basement for his wife, Cher.

Recorded in 1965, the song became a smash hit, reaching number one on the Billboard Hot 100 chart. "I Got You Babe" is a beautiful hymn to love and loyalty , and it has been covered by various artists over the years.

3
Barbra Streisand & Donna Summer: "No More Tears (Enough Is Enough)"

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Considered one of Donna Summer’s standout songs , "No More Tears (Enough Is Enough)" was recorded with Barbra Streisand in 1979. The song became so popular that several vocalists have recorded their own versions over the years.

Neither Donna nor Barbra ever performed the duet live together, but Streisand sang an excerpt during her Back to Brooklyn concert tour in 2012. At the time, she remarked that if Donna were still alive, she would have loved to perform it with her.

4
Michael Jackson & Paul McCartney: "Say Say Say"

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The former Beatle had already collaborated with the King of Pop on "The Girl Is Mine," featured on Jackson’s Thriller album. The song was so successful that they teamed up again to record "Say Say Say," the lead single from McCartney’s fourth solo album , Pipes of Peace .

Jackson wrote most of the lyrics, and the legendary George Martin produced the track. It was released in 1983 , along with a music video in which the duo plays a pair of con men selling a miracle potion. The video also featured cameos by Linda McCartney and La Toya Jackson.

5
Aretha Franklin & George Michael: "I Knew You Were Waiting (For Me)"

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Did you know this song wasn’t originally written as a duet? It was composed by Dennis Morgan and Simon Climie with Tina Turner in mind . Eventually, Aretha Franklin got the job, and the label later suggested a collaboration with George Michael.

Aretha and George released "I Knew You Were Waiting (For Me)" in 1987. Both artists later stated that they had a great time recording the song and the music video that followed. And it shows, because the tune reached number one on the Billboard Hot 100 and topped charts around the world.

6
Bill Medley & Jennifer Warnes: "(I’ve Had) The Time of My Life"

Image: Chris Duan

Performed by Bill Medley and Jennifer Warnes, "(I’ve Had) The Time of My Life" was released in 1987 as part of the soundtrack for the movie Dirty Dancing . This pop ballad, with rock and soul influences, conveys a sense of celebration and joy, highlighting the importance of special moments that leave lasting memories.

The song was such a huge hit that it reached number one on the Billboard Hot 100 chart and won the Oscar for Best Original Song , the Golden Globe for Best Original Song, and the Grammy for Best Pop Performance by a Duo or Group with Vocals.

7
Nancy & Frank Sinatra: "Somethin’ Stupid"

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The original version of this song was recorded in 1966 by C. Carson Parks and his wife, Gaile Foote, but it only became widely known in 1967 when Nancy Sinatra performed it with her father, Frank.

It may seem a little unusual for a father and daughter to sing a romantic duet, but their version of "Somethin’ Stupid" became a massive international hit . Although the song was revived in 2001 by another duo—British singer Robbie Williams and Australian actress Nicole Kidman—Nancy and Frank’s rendition remains the most iconic.

8
Kenny Rogers & Dolly Parton: "Islands In The Stream"

Image: 42 North

When the anti-disco backlash nearly ended their reign, the Bee Gees shifted their focus to writing hits for other artists. Originally, "Islands in the Stream" was intended as a soul song for Diana Ross or Marvin Gaye. However, it ended up becoming the quintessential country-pop duet—and one of the biggest hits of Kenny Rogers and Dolly Parton’s careers.

The song is named after Ernest Hemingway’s posthumous novel, but its lyrics speak to the joy of finding that one person you’ve been searching for your whole life. Pretty romantic, don’t you think?

9
Paul McCartney & Stevie Wonder: "Ebony And Ivory"

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Paul McCartney and Stevie Wonder released "Ebony and Ivory" in 1982, and it was an instant hit. Written by McCartney, the song addresses racial integration , using the black and white keys of a piano—working together to create harmony—as a metaphor.

Fun fact: McCartney and Wonder filmed their parts of the music video separately due to scheduling conflicts, but the final result was seamless nonetheless.

10
Joe Cocker & Jennifer Warnes: "Up Where We Belong"

Image: Paul Seling

This powerful and emotional ballad, performed by Joe Cocker and Jennifer Warnes, was released in 1982. The song was created for the soundtrack of the movie An Officer and a Gentleman and captures the essence of overcoming challenges and transcending through love.

"Up Where We Belong" won several major awards, including the Academy Award for Best Original Song, the Grammy Award for Best Pop Performance by a Duo or Group with Vocals, and the Golden Globe Award for Best Original Song . The combination of Cocker’s and Warnes’ passionate vocal performances and the rich instrumentation has made this song an enduring classic.

11
Marvin Gaye & Tammi Terrell: "Ain't No Mountain High Enough"

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There’s nothing like the charismatic and luscious voices of Marvin Gaye and Tammi Terrell to convince us of love’s healing power. "Ain’t No Mountain High Enough" was released as a single in 1967 and became a huge hit.

This romantic anthem is just one of the iconic collaborations by the duo that helped define the Motown era, thanks to their vocal harmonies and onstage chemistry . Their list of great soul duets also includes "Your Precious Love," "Ain’t Nothing Like the Real Thing," and "You’re All I Need to Get By," among others.

12
John Travolta & Olivia Newton-John: "You’re The One That I Want"

Image: Mesh

Anyone who has seen the movie Grease is probably a fan of this iconic tune. Immortalized on screen in 1978 by Olivia Newton-John and John Travolta, the song transcended the boundaries of cinema, topped charts worldwide, reached number one in several countries, and became one of the best-selling singles of all time .

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