1

Nate Thurmond

Image: Salah Regouane

In the 1960s and early ’70s, Nate Thurmond anchored the middle for the Golden State Warriors, outmuscling giants and grabbing rebounds as if the ball belonged only to him. Later, with the Cleveland Cavaliers, he became the kind of veteran every young team needs—steady, selfless, and always doing the dirty work that doesn’t make the headlines but wins the crowd’s respect. Both franchises retired his No. 42, a fitting tribute to a blue-collar superstar.

2

Pete Maravich

Image: daschorsch

Playing in the 1970s, Pete "Pistol Pete" Maravich starred for the Atlanta Hawks and later the New Orleans Jazz. His ball-handling and creativity—whirling passes, deep jumpers—looked like magic tricks that made crowds gasp. After a 10-year professional career and being named an All-Star five times, Atlanta retired his No. 44, and both the Utah Jazz and the New Orleans Pelicans hung his No. 7 jersey.

3

Moses Malone

Image: Abhay siby Mathew

Moses Malone was a rebounding machine, plain and simple. He dominated the boards for the Houston Rockets and then the Philadelphia 76ers, where he helped deliver a championship after famously predicting "Fo’, fo’, fo’." Both franchises honored him by retiring his No. 24 (Rockets) and No. 2 (76ers), a fitting salute to one of the game’s toughest, hardest-working big men.

4

Bob Lanier

Image: Batu Gezer

Bob Lanier, known both for his silky post moves and those legendary size-22 shoes, was a true powerhouse of the 1970s. With the Detroit Pistons, he combined strength and finesse, scoring with a soft touch and rebounding like a man on a mission. Later, in Milwaukee, he brought the same fire and leadership to a younger Bucks team, proving that experience could be just as valuable as raw talent. It’s no wonder both Detroit and Milwaukee raised his No. 16 to the rafters, honoring a giant whose big shoes came with an even bigger heart.

5

Charles Barkley

Image: Abhay siby Mathew

Charles Barkley was never the tallest guy on the court—just 6 ft 6 in—but with roughly 252 pounds of muscle, grit, and pure attitude, he played like a bulldozer on wheels. Known as "The Round Mound of Rebound," he crashed the boards with fearless energy. In Philadelphia, he became a fan favorite for his fiery play and quick wit; in Phoenix, he shone even brighter, winning MVP and taking the Suns all the way to the Finals. Both franchises hung up his No. 34 as a salute to a player who made hard work look heroic.

6

Earl Monroe

Image: Chaojie Ni

Earl "The Pearl" Monroe brought poetry to the hardwood. In the 1960s and ’70s, his smooth, stop-and-go style made defenders freeze, and fans fall in love. Starting in Baltimore (now the Washington Wizards ), he turned the Bullets’ offense into a show: spin moves, crossovers, and jump shots that seemed to hang in the air. Then came his move to New York, where he teamed up with Walt Frazier to create one of the most graceful backcourts the NBA has ever seen. Both the Knicks and Wizards retired his No. 15 and No. 10: Monroe’s creativity made basketball feel like jazz.

7

Clyde Drexler

Image: Markus Spiske

In Portland, Clyde "The Glide" Drexler soared with effortless grace, gliding past defenders and making the rim look weightless. His mix of speed, style, and quiet confidence made him the heartbeat of the Trail Blazers through the 1980s and early ’90s. When he returned home to Houston in the mid-’90s, he helped secure a championship ring for the Rockets . Today, his No. 22 jersey hangs in the rafters in both Portland and Houston—a lasting tribute to a man who truly lived up to his nickname.

8

Oscar Robertson

Image: Abhay siby Mathew

What if you averaged a triple-double before anyone thought it was possible? Oscar Robertson did just that in the 1960s, stuffing the stat sheet for the Cincinnati Royals (now Sacramento Kings ) and later winning a title for the Milwaukee Bucks, cementing his legacy as one of the game’s all-time greats. Both franchises retired his numbers 1 and 14, honoring the "Big O," one of the greatest players in NBA history.

9

Julius Erving

Image: Abhay siby Mathew

Long before modern dunks, Julius "Dr. J" Erving was taking flight, turning layups into art and slam dunks into poetry. He first captivated fans with the Nets in the ABA before becoming a true icon in Philadelphia . Both teams honored his brilliance: the Nets retired his No. 32 , and the 76ers lifted his No. 6 into the rafters. When you change the game, you don’t just earn a banner—you earn two.

10

Wilt Chamberlain

Image: Tim Hart

Not many players inspire stories that sound too wild to be true, so if basketball had tall tales, Wilt Chamberlain would star in all of them. A 7-foot-1 force of nature, a giant with legendary scoring numbers—including a 100-point game—Wilt’s dominance stretched across the Golden State Warriors, Philadelphia 76ers, and Los Angeles Lakers. All three teams retired his No. 13.

11

Shaquille O’Neal

Image: Luis Montejo

A 7-foot-1, 325-pound tower of strength, Shaq shook backboards, rims, and entire defenses. After playing college basketball, O'Neal was drafted by the Orlando Magic, where he played for four years. Later, he starred with the Lakers, winning three consecutive titles, then helped the Miami Heat capture its first championship. All three franchises retired his No. 32 and No. 34 jerseys, because when Shaq arrived, the fun—and the winning—followed.

12

Kareem Abdul-Jabbar

Image: Alex Haney

With his skyhook reaching somewhere near the clouds, Kareem Abdul-Jabbar scored more points than anyone in NBA history for decades. He led the Milwaukee Bucks to a title, then added five more with the Lakers. Both franchises retired his iconic No. 33, honoring a player who blended grace and dominance like no one else.

13

Dikembe Mutombo

Image: Finnian HaDiep

One of the best shot-blockers and defensive players of all time, Dikembe Mutombo protected the paint like a personal fortress. He blocked shots, grabbed rebounds, and smiled through it all. The Denver Nuggets loved him. The Atlanta Hawks loved him. Both retired his No. 55. And yes, fans still remember that famous wagging finger after a big block.

14

Michael Jordan

Image: Abhay siby Mathew

Of course, "His Airness" would be on this list! Michael Jordan’s No. 23 isn’t just a jersey—it’s an icon. In Chicago, it hangs high as a symbol of six championships, clutch shots, and a golden era that fans still replay in their minds like a favorite movie. But there’s more: the Miami Heat have honored his number too, even though Jordan never suited up for them. Call it courtesy, call it class, but wherever you go, No. 23 still means one thing: Michael Jordan was here.

1

Elvis Presley was naturally blond

Image: JR Harris

No, that jet-black pompadour wasn’t natural! Elvis entered the world with sandy blond hair, which gradually darkened to light brown as he aged.

But when he began chasing a movie career, he dyed it black, as legend has it, using shoe polish before he could afford the real dye.

2

Marilyn Monroe’s library held over 400 books

Image: pure julia

Did you know that Marilyn was a serious bibliophile? Her personal collection reportedly exceeded 400 books . It included subjects like art, history, philosophy, and classic literature, from Ulysses by James Joyce to The Portable Dorothy Parker .

She was often photographed reading between takes, and her friends described her as a genuinely curious and thoughtful woman.

3

Sinatra had a hidden knack for painting

Image: Ethan Rougon

The voice behind "My Way" also spent decades expressing himself through a brush. Through the decades, he painted hundreds of canvases , from colorful abstracts to cubist-inspired portraits, which he often signed with a simple "Sinatra."

His friends said he painted almost daily at home in Palm Springs.

4

Elizabeth Taylor once proposed marriage… and was rebuffed

Image: Katelyn MacMillan

Elizabeth Taylor famously had eight marriages and seven husbands. But even before her first one, as a teenager, she took her first bold shot at love.

According to actor and Olympic swimmer Buster Crabbe , the young star once asked him to marry her, but he politely declined, saying she was too young.

5

Cary Grant’s real name was Archie Leach

Image: Jeremy Yap

"Archibald Leach" might not read like the film star that Golden Age Hollywood would covet. Archie probably guessed this, and the poor boy from Bristol, England, decided to change his name to try his luck in the industry: He would be "Cary Grant."

Once successful, the actor famously said: "Everyone wants to be Cary Grant. Even I want to be Cary Grant."

6

Audrey Hepburn could speak Dutch, French, Italian, and English

Image: Magda Fou

Graceful, elegant, and a polyglot. Audrey Hepburn spoke six languages ! Born in Brussels and raised in the Netherlands and England, Hepburn grew up switching between tongues with ease.

This ability later served her well in diplomacy and film. Because the face of Roman Holiday was not only a charming actress; she also famously served in UNICEF as a global ambassador.

7

Lauren Bacall invented her signature "slither down" pose

Image: Ron Lach

There’s a story behind Lauren Bacall’s sultry stare. Nervous during her first screen test for To Have and Have Not , Lauren steadied her trembling chin by lowering it and gazing upward. Hence, the unforgettable look was born.

Later, she perfected a seated move ( the "slither down" ) where she’d lean forward slightly, chin low, eyes locked. That pose became her trademark.

8

Humphrey Bogart was kicked out of a boarding school

Image: Aman

There was a time in history when Humphrey Bogart’s parents were very worried about his future. As a teenager, he was expelled shortly after entering Phillips Academy in Andover, Massachusetts.

Some say he was kicked out for throwing a faculty member into a pond during a prank; others claim it was for smoking, drinking, or general "bad behavior." The true story remains private. We do know that the incident sent him straight into the U.S. Navy during World War I.

9

Marilyn Monroe stood up for Ella Fitzgerald

Image: Yoel J Gonzalez

Marilyn had moments of real principle. In 1955, she used her influence to persuade Mocambo, a high-end nightclub in Hollywood, to book Ella Fitzgerald, who had been denied access to many such venues because of racial prejudice. The story goes that, after that performance, doors started opening for Ella both literally and figuratively.

10

Marlon Brando designed Don Vito Corleone

Image: RDNE Stock project

Producers of The Godfather did not think Marlon Brando was a good choice for the mafia movie, at first. So the star took matters into his own hands.

He slicked back his hair with shoe polish, stuffed tissues inside his cheeks to create the iconic jowls of Don Corleone, and lowered his voice into a sinister murmur. The resulting homemade screen test did win the studio over. The rest is cinematic history.

1

Titanic & The Music Man

Image: Copyright © 1962 Warner Bros. Pictures Distributing Corporation - Public domain, via Wikimedia Commons

It is common knowledge that Titanic (1997), starring Leonardo DiCaprio and Kate Winslet, fictionalizes the true story of the sinking of the British ocean liner that collided with an iceberg in the North Atlantic.

The Music Man (1962), on the other hand, is a musical that tells the story of a salesman who tries to convince the residents of a small town in Iowa to start a musical band. Although the two films are set miles apart and their characters are very different, they both take place in the same year: 1912. Fascinating, don't you think?

2

Mary Poppins & The Wild Bunch

Image: From the studio of John Schwartz., Public domain, via Wikimedia Commons

Early twentieth-century London, a vibrant, sprawling city, has almost nothing in common with the wild U.S.-Mexico frontier of the same era. Yet the tender Mary Poppins (1964) and the epic revisionist Western The Wild Bunch (1969) take place during virtually the same years. Despite being vastly different stories, the two films share a similar theme: the concept of outsiders navigating a world of change and challenges.

3

There Will Be Blood & Meet Me in St. Louis

Image: Metro-Goldwyn-Mayer (Loew's Inc.), Public domain, via Wikimedia Commons

What do a Christmas musical from 1944 and a 2007 drama film have in common? They both portray the early years of the 20th century!

While There Will Be Blood is a dark film that focuses on the California oil rush, Meet Me in St. Louis , starring the iconic Judy Garland, portrays the well-to-do life of an upper-middle-class Missouri family. Watching these two films truly paints a picture of what America was like at this time in its history.

4

Grease & Malcolm X

Image: Library of Congress

Two other films that offer their version of American life during a specific era are Grease (1978) and Malcolm X (1992). Both take place around 1958, but couldn't be more different.

Grease , a romantic musical with gelled hairdos and poodle skirts, portrays a group of teenagers more concerned with leather jackets, rock and roll, and fashionable cars than anything else. Malcom X , on the contrary, is based on the biography of the famous African-American activist, and dives deep into the history of the civil rights movement.

5

Barry Lyndon & Pirates of the Caribbean

Image: William Hogarth, Public domain, via Wikimedia Commons

The story of a young Irishman trying to climb the ladder of British high society can't be too different from that of a pirate sailing through dangerous waters. However, although Barry Lyndon (1975) and Pirates of the Caribbean: On Stranger Tides (2011) take place in the 1750s, they are very dissimilar films.

While Pirates of the Caribbean is a fantasy adventure franchise chronicling the adventures of the endearing Jack Sparrow, the historic drama directed by Stanley Kubrick won four Academy Awards and is considered one of the greatest films ever made.

6

The Godfather: Part II & 1917

Image: Ernest Brooks, Public domain, via Wikimedia Commons

The year is 1917, and a young Vito Corleone takes his first steps in the criminal world in his native Sicily. Meanwhile, in northern France, a young British soldier is sent on a mission to save his brother.

1917 (2019) is inspired by the true story of World War I battles, and The Godfather: Part II (1974) is based on the fictional story written by Mario Puzo about a gangster family. Both films, however, portray the same period of European history, an era that had a huge impact on American society.

7

Jobs & 2001: A Space Odyssey

Image: Niketh Vellanki

Surely, when Stanley Kubrick directed 2001: A Space Odyssey, he was envisioning a more advanced future. But the truth is that the real 2001 was marked, among other things, by the launch of Apple's iPod.

The film Jobs (2013) begins precisely with Steve Jobs' presentation of the device that would forever change the way we listen to music. Intergalactic travel as a common currency will have to wait a few more years. Yet, to be fair, HAL 9000 is pretty much like the artificial intelligences we have today —let's just hope they don't betray us!

8

The sound of music & Harlem Nights

Image: Sanja Lazic

While a young governess falls in love with Captain von Trapp with the Austrian Alps as a backdrop, on the other side of the Atlantic, a nightclub owner in Harlem must face powerful gangsters to stay in business.

Although they may seem like two incompatible plots, The Sound of Music (1965) and Harlem Nights (1989) both take place in 1938, when the United States was recovering from the Great Depression and Europe was at the dawn of the Second World War. Two opposite views of the world.

9

13 Going on 30 & The Wolf of Wall Street

Image: engin akyurt

One is an innocent romantic comedy full of '80s pop culture references, and the other is a dark, full of foul language and racy scenes, portrait of the years when yuppies and stockbrokers dominated the New York scene. Yet, both 13 Going on 30 (2004) and The Wolf of Wall Street (2013) take place in 1987. Have you ever thought about it?

10

Hairspray & The Shape of Water

Image: Larissa Megale

The interesting thing about these two films is that they not only take place in the same year—1962—, but also in the same ‘place’: Baltimore, Maryland.

Hairspray (1988), a cult comedy directed by John Waters, tells the story of young Tracy Turnbland's quest to be taken seriously in an audition for a popular show for young dancers. The Shape of Water , on the other hand, is a fantasy film that portrays the love story between a mute woman and a humanoid amphibian. Two very different plots that offer a glimpse of what life was like in America during the Cold War.